Este artículo va a estar centrado en una cuestión fundamental: ¿pueden compararse las visiones éticas de Dostoievski e Ignacio de Loyola? Haciendo una revisión pormenorizada de las bases existenciales dostoievskianas, podremos comprobar cómo la vida de Ignacio de Loyola parece coincidir con la hoja de ruta que, más tarde, elaboraría Dostoievski en sus obras en busca de una plenitud humana. El hombre pleno propuesto por el autor ruso es un reflejo del San Ignacio que conocemos por su Autobiografía, un personaje (...) que pasó de los confines existenciales más arraigados en el yo a una vida por y para los demás basada en una idea fundamental: «En todo, amar y servir». (shrink)

L’almanacco di corte e la guida della città – nota anche come «guida dei forestieri» – rappresentano due delle derivazioni più notevoli degli almanacchi europei del diciottesimo secolo per la loro varietà e consolidamento nel tempo. Questa ricerca si propone di indagare le origini europee di questo particolare segmento editoriale, ponendo l’accento sulle sue derivazioni nel contesto dell’Europa meridionale, in particolare in Spagna, Portogallo e negli stati italiani. L’obiettivo principale è quello di evidenziare le somiglianze tra la produzione spagnola, portoghese (...) e italiana nel Settecento, tenendo conto dei criteri editoriali e testuali. Allo stesso tempo, però, questo studio intende anche mettere in evidenza le caratteristiche specifiche dell’almanacco di corte e della guida della città in ciascuno degli stati, al fine di tracciare un ritratto il più completo possibile di questo oggetto tipografico. (shrink)

Management of different types of partnerships plays a decisive role in company performance. Complex business ventures, such as those created to serve low-income populations, usually include both cross- and same-sector partnerships. However, the initial diversity featured in these alliance portfolios diminishes as companies take their ventures up to scale. This article develops theoretical propositions about the evolution and configuration patterns of portfolios that include both cross- and same-sector partnerships. Two longitudinal case studies serve to illustrate the theoretical framework developed for (...) alliance portfolios that include both types of partnerships. Companies that create such portfolios adopt partnership strategies that follow paths also identified in the evolution of portfolios only made up of partnerships with other private firms: i.e., an evolution from adapting to shaping and exploiting strategies. (shrink)

Iniciando pela caracterização clássica de intencionalidade proporcionada por Brentano, nós fazemos uma revisão crítica da proposta enativista radical com relação à cognição básica no intuito de mostrar que o pressuposto de que nada ficaria perdido com a remoção dos compromissos representacionalistas da teleosemântica é injustificado. Argumentamos que algumas características importantes da cognição básica ficam perdidas com a RE(C)tificação da teleosemântica, as quais resgatamos pelo esboço de uma alternativa cunhada atributivismo-de-conteúdo livre de compromissos metafísicos.

Juan Luis Vives reflexionó sobre el tema de la pobreza como un problema de justicia personal y social. El abandono en el que vivían los pobres, cuyo número iba en aumento en pleno siglo XVI, plantea no sólo problemas de orden social, sino también moral y religioso. Reflexionar sobre dicho asunto le ofrece a Vives la oportunidad para realizar una fuerte crítica, no sólo de aquellos que detentan el poder político y religioso, sino también para exigir un cambio de actitud, (...) en el plano individual e institucional, y una reflexión sobre la propia esencia del cristianismo. Por todo ello, Vives ofrece no sólo un conjunto de medidas concretas para tratar de afrontar dicho problema, sino también un amplio abanico de razones morales y religiosas, con las que será muy difícil poder negar nuestra responsabilidad para con los pobres, a la vez que nos exhorta a que hagamos frente común contra la pobreza. (shrink)

L’objectif de cet article est de montrer qu’à la fin du xiii e siècle un tournant s’est opéré dans la compréhension de la nature du syllogisme sophistique, allant d’une définition axée sur ses caractéristiques formelles vers une définition tenant compte de ses caractéristiques pragmatiques. La première position est celle de Simon de Faversham, développée vers 1280 et probablement durant son séjour à la Faculté des arts de Paris. La seconde position est celle de Raoul le Breton, dernier des plus grands (...) maîtres ès arts parisien. C’est dans leurs réponses respectives que se révèle leur désaccord sur la manière de concevoir le syllogisme sophistique. (shrink)

Este artigo se debruça sobre as relações entre palavra e objeto por meio do boato a partir da obra Leviatã: (vértebras de baleia tripartida em azul e vermelho) Modular/Tripartir de 2016. A partir da análise de obras e escritos de artistas como Maria Ivone dos Santos, Claudia Zimmer e Marcel Duchamp, que lidam com questões da ordem do nominal, do titular ou do textual em relação ao objeto artístico, discute-se aqui o papel que a palavra exerce de índice de indeterminação (...) para um alargamento da experiência artística e para migração do regime do apenas visível para o legível através do boato: pequenas peças escritas – a exemplo das apercebenças de Georges Didi-Huberman –, de fraca confinação em nenhum gênero específico e que se relacionam de forma frouxamente próxima com a materialidade da escultura.Palavras-chave: Fercho Marquéz-Elul. Palavra. Objeto. Boato. Escrita. (shrink)

Este artigo objetiva a inserção crítica na prática poética da artista contemporânea francesa Sophie Calle, proeminente em uma trajetória que perpassa diversos gêneros artísticos como artes visuais e literatura compreendidos em uma variedade de suportes como fotografia, publicação em livro, instalação, performance. Analisa procedimentos de criação em que estão articuladas imagem fotográfica e verbal em relação a narrativas pessoais. Aporta questões provenientes da inter-relação entre os campos do real e do ficcional, entre visibilidade e vazio, entre deslocamento e perseguição, entre (...) memória e fio. Esse trabalho se estabelece na análise ensaística de suas obras e escritos em articulação com bibliografia pertinente do campo artístico, crítico, filosófico e antropológico, como também, investiga suas estratégias de criação através de novos desdobramentos conceituais e teóricos.Palavras-chave: Imagem. Fotografia. Escrita. Deslocamento. Fio. AbstractThis article aims the critical insertion in the poetic practice of the French contemporary artist Sophie Calle, prominent in a trajectory that crosses several artistic genres such as Visual Arts and Literature comprised in a variety of supports such as photography, book publishing, installation and performance. It analyzes her creation procedures in which photographic and verbal images are articulated in relation to personal narratives. It raises questions from the interrelationship between the fields of the real and the fictional, between visibility and void, between displacement and shadowing, between memory and thread. This work is established in the essay analysis of her works and writings in conjunction with pertinent bibliography from the artistic, critical, philosophical and anthropological fields, as well as it aims to investigating her creative strategies through new conceptual and theoretical developments.Keywords: Image. Photography. Writing. Displacement. Thread. (shrink)

Traditionally, political philosophers and theorists (from Plato and Aristotle to Montesquieu) not only systematically distinguished a greater number of political regimes than we are accustomed to distinguish today (identifying several varieties of democracy and non-democracy, according to several normative criteria) but also used these distinctions for specifically evaluative purposes: distinctions among political regimes corresponded to the degree to which a political regime facilitated important values (e.g., the common good, the good life, freedom, etc.). Questions of evaluation often took priority over (...) questions of justification. Contemporary political theory, by contrast, with some exceptions, has mostly operated within the restricted distinction between (liberal) democratic and non-democratic regimes, and has failed to attend to the morally significant differences among "imperfect" or "less justified" political regimes. Questions of justification have mostly taken priority over questions of evaluation. In this paper, I explore the possibilities for constructing an evaluative theory of imperfect (or not fully justified) political regimes. I argue that a political regime is a system for the division of the labor of political decisionmaking that can (and has historically been) evaluated from three different perspectives: the perspective of the decisions made through it, the perspective of the interests promoted and protected through it, and the perspective of its stability in regards to the kinds of characters it fosters and through which it is sustained. Each of these perspectives provides their own criteria for evaluation: the idea of a well-organized regime for the "decisions" perspective, the idea of a public-goods producing regime for the "interests" perspective, and the idea of a "resilient" regime for the stability perspective. Nevertheless, I also show that these criteria are not necessarily congruent with one another, and that a fully justified regime need not be ideal along any of these dimensions. I suggest that this problem is unavoidable insofar as political regimes facilitate the pursuit of more than one central value. (shrink)

Starting from Brentano’s classical characterization of intentionality, we review the radical enactivist proposal about basic cognition and show that the underlying assumption that stripping teleosemantics of its representationalist commitments results in no explanatory loss is unwarranted. Significant features of basic cognition are lost, or so we argue, with the RECtification of teleosemantics that are retrieved by means of an alternative dubbed metaphysically non-committal content-ascriptivism.

Las interpretaciones ascética y vitalista del eidos son incapaces de pensar a fondo su relevancia fenomenológica. Siempre parece que se valora más su perímetro y cerco, al servicio de la clausura y la consolidación de la unidad, que la diversidad intraeidética, infinita o empíricamente abierta. Más allá de lo típico, las rutinas y asentamientos mundanos, la diversidad intraeidética es críticamente eficaz sobre todo en la periferia, al tiempo que propicia la flexibilidad y dilatación interior de cada eidos. Esta problemática es (...) decisiva cuando se trata de pensar la dimensión proteica e hibrida de la cultura humana, así como la posibilidad de diversidad y cordura en un mundo complejo y en expansión.The ascetic and vitalistic interpretations of eidos are unable to think thoroughly its phenomenological relevancy. It always seems that the perimeter and boundary of eidos, at the service of the closure and consolidation of the unity, is more valued than intraeidetic diversity, infinitely or empirically opened. Beyond the typical, mundane routines and settlements, intraeidetic diversity is critically effective especially in the periphery, while enabling the flexibility and inner expansion of each eidos. This problem is crucial when it comes to thinking about the protean and hybrid dimensions of human culture, as well as the possibility of diversity and sanity in a complex and expanding world. (shrink)

O artigo interpreta o pensamento de Heidegger como transformação da filosofia transcendental que conduz à sua radicalização e, ultimamente, destruição. A este projecto contrapõe Apel a sua tentativa de estabelecer uma filosofia transcendental linguístico-pragmática que procura estabelecer um compromisso entre as temáticas da constituição antepredicativa do sentido e da exigência de validade intersubjectiva. /// L'article interprète la pensée de Heidegger comme transformation de la philosophie transcendantale qui conduit à sa radicalisation et, en dernier lieu, à sa destruction. A ce projet, (...) Apel oppose sa tentative d'établir une philosophie transcendantale linguistique pragmatique qui cherche à faire un compromis entre les thématiques de la constitution anteprédicative du sens et de l'exigence de validité intersubjective. /// The author interprets Heidegger's thought in terms of a transformation of transcendental philosophy, leading to its radicalization and finally its destruction. In the place of this project, the author proposes a transcendental philosophy of a linguistic and pragmatic kind, wich seeks to establish a compromise between the thematics of ante-predicative constitution of sense and the demand for intersubjective validity. (shrink)

Le besoin d'une ethique globale a son origine dans la situation humaine comme telle (l'hominisation nous a en effet eloignes de la securite naturelle des instincts animaux et nous a jetes dans l'etat de liberte) et specialement dans la situation presente de l'humanite. Celle-ci se caracterise par un accroissement extreme des defis externes a notre co-responsabilite. Ces defis sont poses par les resultats de la science naturelle, de la technologie, de la politique et de l'economie tandis que semblent bien marquer (...) les ressources internes de la raison ethique. Le present livre tente de montrer que l'approche pragmatico-transcendantale de l'ethique de la discussion est en mesure de reconstruire la genese de cette situation et de fournir une reponse rationnelle tant aux defis externes qu'aux defis internes auxquels une ethique globale est confrontee. (shrink)

A questão "se uma elocução perde seu significado com a destruição das coisas "surge como uma questão sobre o valor-verdade de declarações com um termo vazio como sujeito, a saber, como um subproblema do sofisma "Se 'omnis homo de necessitate est animal' é verdade quando não há homem algum ". Neste trabalho, trarei as discussões conforme elas se apresentam em "De signis" IV.2 de Roger Bacon, em "Quaestiones logicales", q. 2–3 de Peter John Olivi, no OHNEA de Boethius of Dacia, (...) e no OHNEA de Anonymus Alani. Tais textos nos apresentam quatro modos diversos de nos relacionarmos com a questão sobre significação para OHNEA e, assim, com quatro posições diferentes sobre a relação entre significação e referência vazia. Usarei Anonymus Alani como o fio conductor de minha análise, inserindo outras posições onde tal se fizer relevante.The question 'whether an utterance loses its signification with the destruction of things ' is raised as a question about the truth-value of assertions with an empty term as a subject, namely as a sub-problem of the sophism 'Whether "omnis homo de necessitate est animal" is true when no man exists '. In this paper, I shall introduce the discussions as they are present in Roger Bacon's "De signis" IV.2, Peter John Olivi's "Quaestiones logicales", q. 2–3, Boethius of Dacia's OHNEA, and Anonymus Alani's OHNEA. These texts present us with four different ways of relating the question about signification to OHNEA, and therefore with four different positions regarding the relation between signification and empty reference. I shall use Anonymus Alani as the guiding thread of my analysis, inserting other positions where it is relevant. (shrink)

La Filosofía para Niños y Niñas de M. Lipman, promueve una praxis de la vida que considera la libertad como el auténtico proyecto de realización individual y social, que debe ser asumido desde la infancia. Propiciar una experiencia investigativa y dialógica que le permita a los niños y las niñas problematizar filosóficamente la realidad, es decir, indagar acerca del sentido de cualquier acción, acto, praxis tiene su punto de origen en un interrogar-se por la libertad como experiencia que hace posible (...) el desarrollo de la sensibilidad y la racionalidad. La conciencia de ser y estar libres, depende de la autonomía de una voluntad para decidir y del deseo para elegir el sentido que debe orientar la vida en su presente y proyección futura. Niños y niñas estimulados con experiencias de este tipo, podrán llegar a ser ciudadanos y ciudadanas capaces de lograr la transformación de la sociedad desde una justicia, bien, equidad y paz, compartida por todos. (shrink)

The paper tries first to show that P. Strawson’s and J. Searle’s proposal of explicating the illocutionary meaning of speech-acts in terms of the conditions of fulfilment or satisfaction is unsatisfactory. It provides no full understanding of the meaning of speech-acts, at least not of non-constative acts, as e.g. orders, requests, demands, confessions, promisses, etc.; for, through its quasi-verificationist horizon, it provides no unterstanding of the illocutionary force in terms of the conditions of accepting the validity-claims that are connected with (...) the performance of the act. Thus far the paper complies with Habermas’ approach. There remains however an ambiguity with regard to the good reasons for accepting a speech-act, since on the level of life-world communication and interaction not only validity-claims and pertinent arguments but also threats and offers are functioning as socially binding illocutionary forces. How is it possible to show by a cogent argument that openly strategical acts as offers and threats cannot fulfill the role of providing good reasons for accepting speech-acts in the sense of unrestricted Verständigung but are parasitic upon non-strategical ways of consensual communication by understanding and accepting validity-claims?The paper argues that this suggestive contention cannot be proved, i.e. grounded by a descriptive analysis of the normal function of communicative actions in the life-world but only - indeed - by transcendental pragmatic reflection on the normative conditions of argumentative discourse which cannot be denied without committing a performative self-contradiction. (shrink)

There are several paradigms of 'first philosophy' (e.g. Aristotle, Descartes). A third paradigm of first philosophy is transcendental pragmatics or transcendental semiotics (exemplified by Peirce and Wittgenstein). Husserl correctly grasped that Descartes inaugurated first philosophy in the sense of a transcendental inquiry into the foundations of absolute knowledge. But Husserl's retrieval of Descartes remains within the second paradigm in that it ignores the role of language as a condition of the possibility of objectively constituted knowledge. I propose to re-examine Descartes's (...) conception of first philosophy to see if it can be read in the light of the third paradigm of transcendental philosophy, namely transcendental semiotics. I argue that Cartesian methodic doubt can be rehabilitated (against Wittgenstein's critique) as a kind of 'fallibilistic' approach to knowledge of a Peircean kind, and that the Cartesian cogito can be read (following Hintikka) as recognition of performative contradiction and of the necessity of speech acts, and hence of the transcendental communication community. (shrink)

In what follows I wish to raise and eventually to suggest an answer to the following question: What is the rationality of human communication? Why should we ask this question? By way of a first approach I would place the problem within the context of the so called “pragmatic turn” of analytic philosophy, i.e. within a context in which the concept of the rationality of logical syntactics and logical semantics of language systems has been integrated into, or superseded by, the (...) rationality concept of the human use of language—say, e.g., of arguments. (shrink)

Como parte del trabajo del taller interno permanente del Cuerpo Académico de Estética y Arte de la Benemérita Universidad Autónoma de Puebla, el 12 de noviembre de 2013 se realizó una Mesa Redonda sobre el tema “Universalidad e identidad cultural”. En esta Mesa participaron los doctores José Ramón Fabelo Corzo, José Antonio Pérez Diestre y Ramón Patiño Espino, como ponentes principales; además, se contó con la asistencia del doctor Jesús Márquez Carrillo, quien se integró al debate. Diferentes disciplinas —la filosofía, (...) la antropología, la historia del pensamiento y del arte, incluso la biología— pueden, cada una, ofrecer sus aportes al tan socorrido tema de la relación entre lo universal y lo propio en la cultura latinoamericana. El debate suscitado puso de manifiesto esa diversidad de aportaciones. En este trabajo presentamos las intervenciones realizadas por cada uno de los integrantes de la mesa, en el orden en que se produjeron. (shrink)

El objetivo de esta investigación es proponer un instrumento de análisis para las instituciones públicas de Educación Superior que están comenzando con el proceso de incorporar una política institucional de género, considerando los elementos básicos para su puesta en marcha. En un primer momento se contempla el tema de la Política Institucional de Género y como soporte teórico: las políticas públicas, la teoría de género, la perspectiva de género, los principios de equidad e igualdad y, la transversalización. Con este sustento (...) se crea una tabla de variables, dividida en dimensiones y preguntas para el análisis del contexto institucional, la identificación y valoración de los avances institucionales en la materia, así como las percepciones de las y los actores involucrados en las temáticas de género. Es importante que las instituciones de Educación Superior trabajen en la incorporación de estrategias, programas y acciones en perspectiva de género para el avance así una sociedad más igualitaria, justa y libre de discriminación, así como de violencia de género. (shrink)

[E.H. Gombrich wrote on May 13, 1975:] . . . I recently was invited to talk about "Art" at the Institution for Education of our University. There was a well-intentioned teacher there who put forward the view that we had no right whatever to influence the likes and dislikes of our pupils because every generation had a different outlook and we could not possibly tell what theirs would be. It is the same extreme relativism, which has invaded our art schools (...) and resulted in the doctrine that art could not possibly be taught because only what has been done already can be taught, and since art is creativity it is not possible to teach it. Q.E.D.—I recently asked my history finalists what "Quod erat demonstrandum" means and they did not know. . . . [Quentin Bell responded on May 15, 1975:] . . . Your teacher at the Institute, is he really a relativist? Isn't he a kind of religious zealot? I used to teach school children. With me there was a much better teacher . One day she came into the room where I had been teaching and found a series of the most surprising and beautiful water colours. "What are these?" said she. I explained that they were copies of Raphael made by eleven and twelve year old children. I would have gone on to explain how interested I was by their resemblance, not to Raphael but rather to Simone Martini, for they had all the shapes beautifully right but none of the internal drawing or the sentiment, but I was checked by her look of horror. "You've made them copy from Raphael?" she said. Her expression was exactly that of someone who had been casually informed that that I had committed a series of indecent assaults upon the brats. And in fact in subsequent conversation it appeared that this was very nearly what she did feel. For her, what she called "self expression" was as precious as virginity. E.H. Gombrich was director of the Warburg Institute and Professor of the History of the Classical Tradition at the University of London from 1959 to 1976. His books include The Story of Art, Art and Illusion, Meditations on a Hobby Horse, Norm and Form, Symbolic Images, The Heritage of Apelles, and In Search of Cultural History. He became a Fellow of the British Academy in 1960, a Commander of the British Empire in 1966, and was knighted in 1972. He is also a trustee of the British Museum and a foreign member of the American Academy of Arts and Sciences and of the American Philosophical Society. His contributions to Critical Inquiry include "Notes and Exchanges" ,"Standards of Truth: The Arrested Image and the Moving Eye" , and, with Quentin Bell, "Canons and Values in the Visual Arts: A Correspondence" . Quentin Bell is professor of the history and theory of art, Sussex University. He has written Virginia Woolf: A Biography, Of Human Finery, Ruskin, Victorian Artists and Bloomsbury. Other contributions to Critical Inquiry are "The Art Critic and the Art Historian" , "Notes and Exchanges" , and "Bloomsbury and 'the Vulgar Passions'". (shrink)

I hope you will agree, however, that the purpose of the museum should ultimately be to teach the difference between pencils and works of art. What I have called the shrine was set up and visited by people who thought that they knew this difference. You approached the exhibits with an almost religious awe, an awe which certainly was sometimes misplaced but which secured concentration. Our egalitarian age wants to take the awe out of the museum. It should be a (...) friendly place, welcoming to everyone. Of course it should be. Nobody should feel afraid to enter it or for that matter be kept away by his inability to pay. But as far as I can see the real psychological problem here is how to lift the burden of fear, which is the fear of the outsider who feels he does not belong, without also killing what for want of a better word I must still call respect. Such respect seems to me inseparable from the thrill of genuine admiration which belongs to our enjoyment of art. This admiration is a precious heritage which is in danger of being killed with kindness. E. H. Gombrich was director of the Warburg Institute and Professor of the History of the Classical Tradition at the University of London from 1959 to 1976. His books include The Story of Art, Art and Illusion, Meditations on a Hobby Horse, Norm and Form, Symbolic Images, The Heritage of Apelles, and In Search of Cultural History. He became a Fellow of the British Academy in 1960, a Commander of the British Empire in 1966, and was knighted in 1972. He is also a trustee of the British Museum and a foreign member of the American Academy of Arts and Sciences and of the American Philosophical Society. His contributions to Critical Inquiry include "Notes and Exchanges", "Standards of Truth: The Arrested Image and the Moving Eye", and, with Quentin Bell, "Canons and Values in the Visual Arts: A Correspondence". (shrink)

Metaphysics, understood as the first philosophy, that is, the science of the ultimate foundations and principles of being, has long been declared an anachronism in the postmodern period.1 The pluralistic character of being, the heterogeneity of types of philosophical discourse and their mutual irreducibility, the spatiotemporal discreteness of various ontologies and epistemologies, the understanding of tradition as a given that needs to be overcome rather than continued—all these indicators point to the paradigm of new thinking within which flows the mainstream (...) of twentieth-century philosophical thought. Outside this stream stands the figure of K.-O. Apel, who is devoted to the idea of a single philosophy and continues to uphold it in the face of criticism from all sides. Apel's quixotic unwillingness to relinquish his stance is demonstrated by his new book, published in 1998, in which he continues to develop his ideas, which constitute a complete conception of transcendental pragmatism.2 Inasmuch as a theory that had apparently been relegated to books on the history of philosophy has become topical again, my task is to return to its sources and to reconstruct3 and analyze its basic propositions. (shrink)

El filósofo argentino Ricardo Maliandi destinó su larga trayectoria a elaborar una propuesta ética original que denominó «ética convergente» y que rebautizamos «convergética». La misma ha suscitado una serie de debates entre los especialistas en ética del mundo de habla hispana. En el marco de esas críticas es que se desarrolla nuestro trabajo, pero busca ofrecer una perspectiva desde dentro de la teoría convergente. Para ello se reconstruye la teoría de Maliandi en tres convergencias: la de teorías éticas precedentes (ética (...) axiológica de N. Hartmann y ética del discurso de K. O. Apel), la de principios éticos (los cuatro principios cardinales enunciados por Maliandi) y las dos esferas del ser humano (la esfera racional o lógos y la emocional o páthos). A partir de la elaboración de un experimento mental que llamamos «la nave letona» se ponen en cuestión las ideas nucleares de las dos primeras formas de convergencia en pos de sostener la primacía de la tercera convergencia. Nuestra hipótesis es que si la convergética abandona la aprioricidad de dos de los principios, que ligamos a la dimensión emocional y práctica del ser humano, salvaría así su coherencia interna y ofrecería una mejor guía para los agentes morales. (shrink)

Is transcendental pragmatics a matter of ultimate foundation or a matter of holism? Transcendental pragmatics as developed by Karl-Otto Apel has been the object of various criticisms. Against the fallibilists' claim (Albert) that argumentation is at last either dogmatic, axiomatic or circular, the transcendental pragmatists have given an argument that ultimate foundation ('Letztbegründung') cannot be proved to be impossible. But this clarification of their claims leaves open the questions whether their method can establish universal statements, and whether they prove statements (...) which are synthetic a priori. Against the claim of the reconstructive scientist (Habermas) they have to restate their view, and take into account an element of fallibilism. Here we encounter a first element of holism. With regard to the question whether there can be ultimate foundation without ultimate foundation of the method of ultimate foundation holism breaks in. The distinction between a vicious and a transcendental circle, used against Albert, is of no use in the establishment of the transcendental circle. (shrink)

_Critical Heidegger_ brings together a selection of the best work on Martin Heidegger from a number of key commentators working in Europe. These new and classic essays, for the most part translated from German and French originals, are an essential guide to the current European reception of Heidegger and make available essays that have had considerable impact on English-language Heidegger studies. Essays in this collection: * Marlene Zarader, `The mirror with the triple reflection' * Franco Volpi, `Dasein and Praxis: Aristotle' (...) * Jean-Luc Marion, `Heidegger on Descartes' * Christopher Macann, `Heidegger's Kant Interpretation' * Michel Haar, `Critical Remarks on the Heideggerian Reading of Nietzsche' * Maria Villela-Petit, `Heidegger's Conception of Space' * Francoise Dastur, `The ekstatico-horizontal constitution of temporality' * F-W von Herrmann, `Way and Method in Philosophy' * Samuel Ijsseling, `The End of Philosophy as the Commencement of Thinking' * Otto Poggler, `Does the saving power also grow? Heidegger's last paths' * Ernst Tugendhat, `Heidegger's Idea of Truth' * Karl-Otto Apel, `Wittgenstein and Heidegger'. (shrink)

Neste trabalho, investiga-se a reconstrução apeliana da controvérsia, entre Habermas e o próprio Apel, acerca da fundamentação e relação entre a moral e o direito, enquanto concepção procedimental discursiva da filosofia prática. Assim, objetiva-se mostrar a relação – metodologicamente importante – do discurso filosófico no trato específico para a arquitetônica da ética do discurso. Defende-se a hipótese de que o debate e controvérsia entre ambos os programas da ética do discurso decorrem fundamentalmente do modo diferenciado de tematizar a relação metodológica (...) entre enunciados filosóficos e enunciados das ciências sócio-reconstrutivas, empíricas, e que essa diferença de abordagem é relevante na forma distinta de tratarem a moral e conceberem o conceito de razão prática, que culmina na compreensão desta como razão prática moral ou não prescritiva, bem como, o problema da sua unidade e/ou quanto de sua especificação. Para Apel, é importante a determinação dessa relação metodológica, pois a partir dessa reflexão efetivar-se-á, na teoria discursiva, uma cisão entre dois modos fundamentais de pensar a fundamentação e relação entre a moral, o direito e a política. (shrink)

A filosofia, sendo um discurso antípoda ao discurso das ciências, no sentido de que não produz um conhecimento sobre particularidades, situa-se a priori no espaço interno de uma clivagem, de uma diferença e de uma dobra onde este discurso e este saber são produzidos e apresentados. Na cena contemporânea três pensadores, Lacan, Apel e Gadamer, tematizam a experiência do humano como ligada estritamente à linguagem enquanto elemento estruturador do humano, na medida em que este é situado no interior do espaço (...) de uma dobra e de uma clivagem. PALAVRAS-CHAVE – Apel. A priori. Gadamer. Lacan. Linguagem. Ser humano. ABSTRACT Philosophy as a speech opposite to the speech of sciences as long as it does not pursue a knwoledge on specialities, it is situated a priori at the internal space of a fold where this knowledge is produced and presented. At the contemporary scene there are three thinkers, Lacan, Apel and Gadamer which think human experience as deeply linked towards language as the structural frame of the human being, hence he is situated within the space of this fold. KEY WORDS – Apel. A priori. Gadamer. Human being. Lacan. Language. (shrink)